D D U D D U Strum: 1 + 2 + 3 + 4 +
Let’s see how we smooth out the moves on Midnight Special.
Here’s what it’ll sound like. I’ll just play D and A here as an example. Don’t play along yet, just listen to and watch me lifting my fingers on the and-of-four.
See me lifting my fingers on the and of four? Now I’ll teach you how to turn the first transition in “Midnight Special,” the move from D to A in the Intro, into a smooth move. Once you’ve gone through the process, you’ll know how to apply the same set of exercises to the other transitions in the song, and you can just work your way through the song until you’ve smoothed out each transition you’ll encounter.
So here’s my proven smooth move formula I’ve developed for my private students over the years.
The first two steps train you how to lift. The first step is to just get used to lifting your fingers, second step is to lift them at the right time. The last two steps teach you how to land--how to place your fingers correctly. In the third step, you place your fingers giving yourself as much time as you need. And the fourth step is to force yourself to lift and place your fingers to a beat, but at a slow tempo.
D → A
Step 1: Learn to Lift
We’re going to start with step one: Lifting. One note before I demonstrate this: We’re not going to lift all three fretting fingers. We’re using our first finger as an anchor finger when we move from D to A, right? So it’s just our second and third fingers that we lift.
So we’re going to practice this by grabbing a D chord, giving it a test to make sure it sounds OK, and then lifting the second and third fingers a centimeter or so off the strings, keeping the first finger in place. Replace the fingers you just lifted, and test again to make sure they found their way home. Lift again, replace, and test. Lift, replace, test.
One of your big challenges as a beginning guitarist is to develop finger independence. Your fingers are like sheep, always moving in a herd. We’ve got to teach them to move on their own.
Step 2: Lift on Time
The next step is to learn how to lift at the right time. You’ll be lifting right before your last upstrum in the measure. We’re just going to isolate that one skill--you’re not going to move to the A chord yet, that comes next. You don’t want anything to distract you from the task at hand.
This is what you’ll be doing. Just watch and listen.
Let’s do that four times together.
You should keep working on this until you can consistently lift at the right time. Either pause the video and work more on your own, rewind to play along with me, or if you’ve got it, let’s go on to the next step.
Step 3: Learn to Land
Now let’s practice landing on the A chord after you’ve lifted. You’re probably going to have the urge to get to that A chord as fast as you possibly can, so that you don’t break rhythm, which is an admirable impulse, and will serve you well once you’re actually making music. But right now you’ve got too much other stuff to think about to preoccupy your mind with rushing to the A chord. So break rhythm after you’ve lifted and saunter over to that A chord. Once you think you’ve got all your ducks lined up, test that A chord to confirm. If you hear anything wrong, fix the problem before continuing. Go back to D, and repeat. Once you’re through five or ten correct repetitions, you can probably start speeding things up.
This is what it’ll look like. Just watch and listen.
Now try it with me. Let’s do it four times.
Again, keep working on this until you can make the change to the A chord without breaking rhythm. Rewind and play along with me, or pause and do it on your own.
Step 4: Land on Time
Finally, you’ll want to practice the smooth move without breaking rhythm. The key here is to keep the tempo nice and slow at first, then ramp things up. Here’s what it’ll sound like. Just watch and listen.
Now play along with me. If you’re feeling rushed or you get sloppy moving to your A chord when doing this, you should go back to the learn to land exercise.
Keep practicing this until you can consistently land on the A chord correctly. Either rewind and play with me, or pause and do it on your own.
A → E
Now let’s work on the next transition. If you look at your chord chart, the next chord change in the intro is A to E.
With this chord change, you’ll be lifting your second and third fingers again. We've already trained your fingers to do this with the last transition, so we can skip the first two steps.
Step 3: Learn to Land
Grab your A chord, and just watch me this first time. I’m going to strum the pattern for one measure, and on the upstrum, I’m going to lift, and taking my time, move to the E chord. Test the E to confirm you did it right, fix any problems you hear. Then grab the A again and repeat.
Now try it with me. Four repetitions again.
Work on this transition until you can make the change to the A chord cleanly, without having to fix things. Rewind and play along with me, or pause and do it on your own.
Step 4: Land on Time
Finally, we’ll practice landing on that E chord while keeping the beat. We’ll choose a nice, slow tempo. This is what it’ll sound like.
Now try it with me. Four times again.
Keep practicing this until you can consistently land on the E chord correctly. Either rewind and play with me, or pause and do it on your own.
You should have a good idea now how this process works, so I’m just going to mention the two other transitions you need to drill and then bid you a fond adieu.
E → A
A → D
Both these transitions also involve just listing your second and third fingers, and you already practiced keeping that first finger planted as you lift the other two, so just to exercises 3 and 4 for each of these transitions.
One last thing I should mention before we finish this lesson is that, when you’re actually playing the song, the last downstrum you do at the end of the Step 4 exercise, when you land on the new chord and strum down, you don’t just stop there and clock out for the day, right? That strum is going to be the first downstrum in a new repetition of the strum pattern. So you may want to take a moment to see if you can keep the strumming pattern going as you move from chord to chord. Try each transition individually like this [perform D → A], and then try the whole D A E A progression like this.
If you’ve gone through all the previous exercises, and repeated them enough, you should be ready to strum “Midnight Special” along with the slow backing track. Since this will still probably be a big challenge, I’ve made a video of me playing along with the backing track, which should be a little easier to play along with than just the audio track. C’mon and check it out.
How's it going?
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